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Georgian theories of proportion and symmetry governing the design of the façade were developed in the early eighteenth century and derived from the classical temples of Ancient Greece and Rome. Adapting Palladio’s principles, the Neo-Palladians created a system of proportions and ratios based on the square and circle (or cube and sphere). The square, in particular was considered the key to architectural beauty: and Robert Morris (1703-54) in his ‘Lectures on Architecture’ of 1734 and 1736 established seven ideal proportions, all based on the cube. Proportions based on squares were used to determine window openings and the system of window openings relative to wall areas, thus if the house was three bays wide (the usual width of the Georgian town house) then the space occupied by the first and second floor windows would usually be made roughly a square. Picture shows Dowry Square, Bristol, c1750.

Source Baseline Our method Target
Warping using
input frames

Input source (frame 9)

Warped from input, baseline

Warped from input, our method

Input target (frame 10)

Warping using
ldquo;ground-truth rdquo;
frames

True source (frame 9)

Warped from truth, baseline

Warped from truth, our method

True target (frame 10)

Input source (frame 9)

Input source (frame 9)